List journal issues    
 
 
Home List journal issues Table of contents Subscribe to AM

Abstract

Volume 22 • Number 1

Spring 2004



 

"The Land of Rape and Honey": The Use of World War II Propaganda in the Music Videos of Ministry and Laibach

 

By Jason J. Hanley

"Industrial" is a loud, powerful and often shocking style of avantgarde popular music. It is constructed from mechanical rhythms, harsh and distorted timbres, and dark minor key or modal harmonies, all of which contribute to the creation of a dystopian soundscape. This brutal postapocalyptic attitude is not produced, however, by the music alone. The visual images that accompany these Industrial bands during their live performances, and in their music videos, work with the music to design environments resembling a futuristic urban wasteland. These visual images frequently contain distorted scenes of riots or warfare, pictures of cogs, hammers, robots, or soldiers. These images, and others like them, evoke the imagery of World War II propaganda in their visual style and composition, which make use of bold colors, sharp lines, scenes of mass spectacles, and military themes. It is also quite common to find images that are directly related to World War II propaganda that promoted fascist ideologies or, more specifically, the German National Socialist, or Nazi, political party.


view PDF
 

 

 

 
Home | Issue Index
 
© 2008 by the Board of Trustees of the University of Illinois
Content in American Music is intended for personal, noncommercial use only. You may not reproduce, publish, distribute, transmit, participate in the transfer or sale of, modify, create derivative works from, display, or in any way exploit the American Music database in whole or in part without the written permission of the copyright holder.


Terms and Conditions of Use