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Volume 23 • Number 4

Winter 2005



 

Of Mice and Men: Copland, Hollywood, and American Musical Modernism

 

By Sally Bick


"Here was an American theme, by a great American writer, demanding appropriate music." With these words Aaron Copland expressed the enthusiasm with which he greeted his first Hollywood film project. In 1939 he signed a contract with director Lewis Milestone to compose the music for the film adaptation of John Steinbeck's Of Mice and Men. The choice to use Copland for a Hollywood film score was daring: he was an outsider to Hollywood, his previous experience had been limited to a single documentary production, and his reputation up until 1939 had been based upon his prestige within the American musical community as a modernist art music composer.


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